Correct wardrobe, room and light on frames that are almost right. One correction per job, 21 credits, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
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Every catalogue holds frames that are nearly right. The pose holds. The light is true. The dress belongs to another pack. The editor is the margin of that entry: state the correction in plain words — wardrobe, room, light, a single detail — and the frame is re-rendered with the correction made and everything else left standing. Editing costs 21 credits a job, shown before you confirm, and the original entry is never overwritten: it stays filed beside its corrected version.
Strong bones, wrong details. A frame whose composition has failed costs more to correct than to remake, and the margin is not where pride should be spent.
A single instruction keeps the rest of the frame still and the cost predictable. Three corrections at once is not an edit; it is a regeneration wearing an edit’s price.
Original and correction rest side by side. Ship the winner. The other costs nothing further and asks nothing of you.
The same pose dressed for three different packs. The quickest multiplication a catalogue knows.
Bedroom to hotel suite to bare studio wall, without moving the woman or the light that holds her.
Daylight to evening, flat to dramatic — a frame re-graded to sit quietly among the set it is joining.
“Change the burgundy slip to black satin. Keep the pose, the hair and the light exactly as they are.”
The correction is named, and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work.
“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”
One environment, moved once. A new room, a new dress and a new pose in a single job is a new photograph, and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones and costs less |
| The composition itself has missed | Remake the frame with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
21 credits per job, shown before you confirm. Correcting a keeper is normally cheaper than remaking and re-judging a whole set.
No. The correction is a new frame. The original rests untouched, and both remain filed under your account.
One. Stacked changes unsettle the very parts you asked to keep, and the frame drifts off its card.
Yes — your own photographs, under the same consent rules as every upload in the directory.
Narrow the instruction, and name what must stay identical. Vagueness is the usual cause of a drifting correction.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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